Of all the Marvel characters, Deadpool is the one you’d expect to shake up, or ditch, the dull origins side of the comic book movies. Things start well, with an amusing taxi ride intro, followed by a slick fight scene on the freeway. But then the movie promptly and obediently falls in line with Marvel’s origins story machine. To make things worse, the origins story is spliced in throughout the rest of the film, constantly wrecking the momentum. Continue reading Deadpool Review – Marvel’s Mouthy Merc
Based on true events, Spotlight tells us how a team of journalists at the Boston Globe took on the Catholic Church to expose a systemic pattern of child abuse and cover ups.
Once the Spotlight section of the Boston Globe newspaper are assigned their new exposé, the film’s pace rarely lets up. The majority of the its two hour runtime sees the reporters chasing up lawyers from both sides, interviewing victims and cutting through legal red tape. All while trying not to let the story out too soon in order to maximise the impact against as many offenders as possible. Continue reading Spotlight Review – Exposing monsters
This year’s hottest ticket at EGX (formerly the Eurogamer Expo) was for the premier of From Bedrooms to Billions, a documentary on the birth of the UK gaming scene and its rise from hobbyist beginnings to world leader and to the shape of things today.
The entire film is told by industry figures giving anecdotes on their memories of how it all began. Chances are, the older a gamer you are, the more you’ll be able to relate to the film. The amount of time dedicated to the Sinclair ZX80s and Commodore 64s vastly outweigh any given to later consoles. This is mainly due to the heavy focus on the British perspective of the industry, where the arrivals of the Japanese machines from Nintendo and Sega are painted in almost villainous colours.
Early on, the anecdotes feel a little dry as the talk is all about programming, entering lines of code, hobbyist meets and so on. This is a film clearly aiming for the nostalgic feelings of those involved in the scene, further carving the film into an even tighter niche and alienating everyone else.