Last week we learned via a Eurogamer interview, that 2013’s Tomb Raider reboot only started to make a profit nine months after its March release date, despite selling 3.4 million copies in its first three weeks. If it takes that long for a game that good that sold that well to actually make money, how long can companies afford to make similar blockbuster big-budget games?
Tomb Raider’s budget was reportedly around £60 million ($100 million), which is probably why Square Enix set their sales targets so high (5 million units) in the first month, which would have seem them move into the black straight away. Read more…
Releasing at the busiest time of year, Liberation went largely unnoticed when it released towards the back end of 2012 on the PS Vita. So when Ubisoft announced they would be polishing it up for a downloadable release on PSN and XBLA it was collective high fives all-round. Sorry Vita, but the big TV wins again.
So often, I cringe when I see the prices of digital games or HD remakes, but Liberation’s £15.99 asking price is very reasonable. Mainly because the original Vita version costs more and the visual upgrade is huge. Some of you may be disappointed to hear that the multiplayer options have been ditched, but this makes sense really. Why would Ubisoft want to dedicate resources to keeping more servers alive when they know most fans will be enjoying the superior multiplayer offerings of Assassin’s Creed IV?
For years, PSN and XBLA gamers have been enviously staring at the generous offerings PC gamers can gorge themselves on via sites like Steam, GOG and Green Man Gaming. The ever-increasing number of sites sees regular price war over these digital titles, leaving PC gamers the clear winners for cheap games.
For console gamers, it’s been a very different story as PlayStation and Xbox gamers have been left with one first-party option for a digital game store on their console. With only one option available, this has of course meant that there is no need for competitive prices or discounts bar the odd sale.
If you’re a late comer to the Assassin’s Creed series, or your interest for it has waned in recent years, this is the game for you. It’s also an essential purchase for any graphics-devouring next-gen console owners out there, as it’s a visual powerhouse from start to finish.
The story sees you essentially playing a game, within a game. You’re some sort of beta tester at Abstergo Entertainment, using the DNA-memory technology seen in the series beforehand to relive the memories of a famous line of Assassin’s. Rather than trying to save the world from Templars as Desmond Miles, this time you’re running through the life events of one Caribbean-based, Welsh pirate, Edward Kenway, to create a video game. It’s very Meta and inside knowledge of past events is handy for the little snippets of information you may find, but newcomers shouldn’t feel left out. There’s always a quick glance at Wikipedia if you need to catch up on the finale of the previous game(s).
Last week at the VGX Awards, Square Enix finally admitted they would be re-releasing Tomb Raider on the PS4 and Xbox One. This ‘Definitive Edition’ comes with a handful of visual upgrades including TressFX technology for Lara’s hair (like the original PC version), a remodelling for Lara’s face and better leaves and branches on the trees. And presumably better explosions, because that’s the next-gen dream right?
It will also include the previous pre-order incentive Tomb of the Lost Adventurer and there will be some unique touches that are only possible on next-gen machines. The Xbone version will include Kinect voice controls for weapon selection and the PS4’s DualShock light will light up when Lara’s lights a touch.
There’s even more packed in though! Like the extra skins, weapons and eight DLC maps for the multiplayer that everyone plays so much! Making of documentaries that you’d otherwise have to look for on YouTube! That really shitty digital prologue comic! And there’s an extra artbook in the Special Edition of the Definitive Edition for those of you wanting more than the Standard Edition of the Definitive Edition! What!
Bring duct tape.
Like any good zombie attack, you never see it coming and How to Survive will sink its teeth into your nights if you let your guard down while patiently awaiting the arrival of your shiny next-gen console.
EKO Software’s game is a top-down action-RPG that can be loosely compared with the likes of Diablo III or Dead Nation. After crash landing on a zombie-infested tropical island, you’ll need to scavenge for salvage and build weapons and armour to hold off the infected masses. The overall aim is to make a series of vehicle repairs via completing fetch quests. Ok, so not exactly a revolution of new ideas, but once How to Survive gets going, it’s hard to put down.